Next we're going to go to Ben Jones and Joel Cosgrove representing iGum Music Collective. Welcome. Just press the button. Yep. The one that says push. There we go. Glorious. It's really obvious when you're told. We're here representing the iGUN Music Collective, a Pōneke-based organisation focused on hosting events that celebrate our amazing live music scene. We're big flag wavers for our city. We love it. We're also fathers, so we're unlikely to leave any time soon. My name is Joel, founding member of our collective, and this is Ben, our current chairperson. We've been around for more than 12 years now, and we put on a whole bunch of different events of sizes and scope. We put on regular free shows at San Fran, which host over 300 people. It's often the starting point for acts coming through. As some of their first gigs. We've hosted over 400 shows here over the past decade, and we aim to showcase local up-and-coming artists to larger audiences. We also have Great Sounds Great, which we book all of the Cuba Street precinct. If you want to organise a gig that night, you can't, 'cause we've booked everywhere, ranging from Wahalla to Miao Nui and everything in between. So this year we should have over 2,000 people milling around. Enjoying the best that Wellington has to offer. We're a volunteer-run collective. We've been very fortunate to receive council funding to support this work over the past few years. It's been essential for us to deliver this important mahi in an increasingly challenging organisation. We believe that independent arts organisations deliver and can deliver excellent value for money, given the outsized benefit the creative sector contributes to Wellington's economy. Also, our consistent and unique cultural calendar is why many people choose to live in our capital. It's one of our points of difference and one of our strengths. Nowhere else in the country can you have Newtown Fest and QBDUPA, where technically two-thirds of the population come out in the same month. You look at something like LUMAS Festival, no one does these things like we do, and that's one of our strengths. All the projects supported through Council Arts funding help build and maintain the local infrastructure needed for these events to exist. A lot of these people involved are contractors, so it's not— these people have multiple jobs that form an interconnected web that give them a lifestyle, that give them a living. So it's not just about individual events, it's about the network of these events creating a framework for our arts sector to exist. I'll pass you over to Ben. Last week we received a timely reminder of the difficulties facing event organisers. Tāmaki Makaurau's Othersway Festival, which is one of the most, and has been one of the most beloved events for the past decade amongst artists and music fans around the country, is no longer able to continue due to tough conditions. A multi-venue festival taking over K Road in central Auckland, our Great Sounds Great Festival would not exist without it. Rising costs, changing attendance behaviour, access to sponsorship, and changes to central government funding such as Creative New Zealand grants have been cited by the promoter as reasons for its closure and are challenges we and all other similar organisations in Wellington are facing. We urge Council against reducing funding for independent arts organisations, given the importance of their work and the efficiency with which they can produce the events off the smell of an oily rag. Taking Eyegum as an example, with a relatively small amount of funding, we can deliver two major projects which produce significant positive outcomes and are unique within Aotearoa. Our weekly showcases, as Joel mentioned, attract audiences of over 300 people on a Wednesday night, and are the envy of all other music scenes around the country. Great Sounds Great Festival is now the largest of its kind in New Zealand, and we believe it will have the best lineup of all local artists in the country this year. That includes homegrown. I would like to finish by reiterating that we are extremely grateful for all the support we have received from Council in the past few years and hope to receive in the future, and we especially thank the work of staff we've interacted with. In particular, the introduction of annual stability funds last year provides much-needed certainty for us and other organisations, and we're also excited about the next phase of the Ahu Tēni strategy and working closely with Council and other arts organisations in the future. Thank you. Thank you. We've got a question from Councillor Tippenbaker. Firstly, thanks very much for what you guys do. Secondly, can you give us just a picture of if the Council tried to do what you guys do, how much more it will cost us? Because I think, you know, the reality is on funding, we're enabling you a little bit to do stuff, but obviously you raise a lot of funds elsewhere, which we would have to supply if we weren't actually empowering you, or you couldn't do it because we reduce our funding. So could you give us some picture of that, maybe what percentage, maybe? Yeah, I mean, it's hard for us to say, to give a firm number or percentage, but I think definitely more. I think it definitely would cost more. We have existing infrastructure, networks, connections. This is really what we do, what we specialise in, and as we mentioned, What we really want to get across is that not just us, but other groups like us in Wellington, we only need a lot to get a lot out of it. Sorry, we only need a little bit to get a lot out of it in terms of these sorts of projects. I'll just squeeze one in from Deputy Mayor McNulty as well. Sort of along the same lines, there's a proposed cut in terms of us setting up activations in Tanaka, so that's a brand new thing we're doing. So it's really the view that we're probably better off finding the people that are already doing things in the creative sector and actually that funding going and breeding into people doing the doing, so to speak, rather than trying to build things from scratch. Yeah, well, there's a lot of organizations that can do that. So it's less about who does it and that we do it in the most effective and efficient way. So however you do it, do it. But I think that these are really important anchor points that really help, especially at this time of the year. Events are a bit like a smiley face. July and August are some of the thinner times. A lot of people work the most during summer, and so this time is when people try to live on their savings and eke out whatever work's coming through, because for obvious reasons it's much harder to put on an event in July than it is in February. Yeah, but I think generally we would support principle, that proposal, we think, you know, with a constrained budget, I think generally speaking, that funding is better directed towards those independent organisations that have, you know, the space, the scope, the time, and the networks to really make those special events happen. Thank you very much. Thank you. We're out of time now, but thanks for coming in. Appreciate it. Next, we're going to go to David Pannett representing Creative New Zealand Toi Aotearoa. Thank you. E nā rangatira mātou e nā koutou katoa. I'm David Pannett, Senior Manager for Strategy and Engagement at Creative New Zealand Toi Aotearoa, and I'm here representing Creative New Zealand and our governing board, the Arts Council. Thanks for the opportunity to talk to you today. It's great to see many of you again, and to to meet the new councillors as well. Creative New Zealand is the national arts development agency of Aotearoa. We're here to encourage, promote, and support the arts in New Zealand for the benefit of all New Zealanders. We really value our work with Wellington City Council to support a vibrant, connected, and economically strong city. In March, with the Arts Foundation, we hosted the Wellington edition of All In for Arts, He Wakatoa E Eke Noa Nei Tātou, at Parliament. Hopefully the Mayor doesn't mind me quoting him. As the Mayor shared at the event, Wellington is a city that prides itself on its extensive and deep creative sector. It's very important for me as Mayor to make sure that our organisation, the City Council, and our councillors are getting right in behind that continuing support and evolution of the sector. And we totally agree. So we've got 3 key messages for you today. Firstly, Council is a crucial investor and partner in the arts. Your investment unlocks more investment. Council funding enables artists, practitioners, and arts organisations to leverage funding from other sources, including us. Consistent funding from Council is vital in supporting the arts ecosystem in Te Whanganui-a-Tara. We're all aware that the ecosystem is fragile. You've probably heard me say this before, but our research tells us that the average income for creative professionals remains stubbornly low, at $37,000 per annum, with only $19,500 of that coming from creative pursuits alone. So we urge Council to maintain its investment in the city's arts communities. We urge you to maintain the Creative Capital budget to support artists, arts communities, and organisations across the wider creative ecosystem to continue to make their vital and valued contributions to the city. We urge you to retain funding for the Tanaka Civic Square Activation to support cultural programmes that enhance the city centre and activate public spaces. Arts and cultural programmes in Tanako will boost vibrancy and support local businesses, hospitality, and tourism. Those programmes also support and build skills, knowledge, and career pathways for artists and creatives. Our next key message is Wellingtonians strongly support the arts. From our most recent research, New Zealanders and the Arts, we know that people's personal connection with the arts continues to grow. The arts matter to Wellingtonians. Our research tells us that around 70% recognise the benefits of the arts to the economy and to wider New Zealand society. 69% agree that the arts and culture have a vital role to play in the future of Wellington, and 67% agree that the arts make an important contribution to community resilience and wellbeing. Finally, working together is key. Arts organisations, iwi and hapū, community funders, and others are natural partners in building a thriving, diverse Wellington. The creative sector helps Council deliver on its vision for Pōneke, the creative capital where people and nature thrive. Secure and stable investment in cultural infrastructure, services, and activities by Council through the Annual Plan and into the Long Term Plan is crucial for a healthy Wellington arts ecosystem. Arts, culture, creativity, and ngā toi Māori bring life, colour, and joy to the city. Council support creates a vibrant Wellington, enhances social wellbeing and community connection, and showcases pōneke creatives on the national stage. Your investment creates essential infrastructure for strong, prosperous, connected, and healthy communities. Continuing this investment enables arts communities to help you achieve your vision and ambitions for Wellington. Mōre rā tēnā koutou katoa, mauri ora ki a koutou katoa. Thank you, David. We've got a question from Councillor Chung. Thanks very much for coming in, David. I have a question: do you think we're better off to direct our grant funding towards organisations like yours, where you've got an existing structure, or these these much smaller organisations or smaller groups who come up and say that this is what I want to do, this is the art show that I want to have. Which do you think is more efficient or better use of our money? I think it's really important to be able to have good strong local decision-making, and we achieve that at the moment working with you on the Creative Communities Scheme. It involves us saying here's a pot of money and like your local Grants Committee to distribute that effectively on our behalf, but for the benefit of Wellingtonians. So I think there's— in some cases money for organisations that are nationally focused or have a strong presence comes through us, but increasingly it'll likely be being decided and delivered by closer to home in Wellington. So we're in the process of starting a process of what we're calling Empowered Communities, or tukuraumi, which will increasingly see us partnering with regional organisations to deliver funding for events and arts that happen in Wellington through Wellington. So there's an RFP process that's live on that at the moment, and we're considering who's putting their hand up to be able to do that. Increasingly, our funding will be less decided at the office in Wellington or Auckland and more locally within the communities, which makes it more connected, more relevant to the ambitions of those communities. So I think horses for courses, but increasingly it'll be more done locally. Yeah. Great, thanks. Thanks, David. We're out of time now, but really appreciate you coming in and doing this session. Thank you. Thanks. Next, we're going to go to Alan Black. I know you just arrived, but if you are ready to go, you're welcome to—