Something? Oh yeah, our numbers have tripled since we've moved there. It's been a really great outcome. O tēnā koutou katoa. Alicia and I are going to do a double act today, and Martin Matthews, our chair, sends his apologies, he couldn't be here today. So first of all, I'd just like to talk about the opportunities that we see in Wellington, and I know that last year— last night, sorry, we had some challenges challenging news about our city, but I think it's really important that we double down on the work that we've done and the green shoots that our organisation is seeing everywhere. Wellington is going to fix Wellington's problem, and I think we need to focus on good news rather than all the negatives that we keep hearing about our city. So I just think about Tanako. We've moved into Matetehe with Kāporeleni nō koutiao, and City Gallery is opening in a fortnight with our fashion show, our first event after it's reopened. But our administration is on the top floor of Te Matapīhi. We feel very privileged to be there, I might say. It's very unusual for an arts organisation to have such a beautiful office. But what you can do when you stand at the top of Te Matapīhi is look out down our cultural corridor. And we can't quite see Courtney Place, but it starts with the Embassy Theatre, it moves to BATS, it moves down to Te Papa and Tākina, just getting a word in there, then over to Toi Uponiki, Circa Theatre, down to the Whare Waka and the Boat Shed, shared over the bridge to the most amazing cultural precinct. I think it is the only arts and cultural precinct in the city, and that is Tanako, our beating heart. We've got City Gallery, we've got Te Matapihi, we're opening with the Town Hall next year. We're working very closely with the New Zealand School of Music on that opening, by the way. Yesterday I saw the NZSO outside City Gallery. Did any of you see that? They'd actually built these fake Town Hall columns, they'd put seating, it was amazing. It was really innovative and imaginative, and that just shows what the possibilities Communities can provide. The Council has put their money where their mouth is. They've really invested in this, and now it's time to double down on it. You know, in 2024, the arts and creative sectors contributed $17.5 billion to our economy. That's 4.2% of GDP. So the arts is not decorative. It's not a nice-to-have, which is often a common misunderstanding about arts and culture. It's necessary. And, you know, if you think about great cities that people go and visit, like in Europe, Florence, for example, The infrastructure is not very good, but the stories, the museums and galleries are really important. And we've got a beautiful city which we can all now see around our waterfront. And we've got that whole arts and cultural corridor to Narko Square and real opportunities to make something happen special. And then if we build out into the city, we've got all the other experiences that our other CCOs have. So now is the time to double down. And, you know, while infrastructure is important, it makes the city livable, but it's, it's the arts and culture and the other experiences that make it lovable. So just onto our quarterly report, we've reported a year-to-date surplus of just over $1 million, and we're projecting a surplus of about $769,000 at the end of the year. Now some of that surplus is due to closures of gallery, but we've also worked really hard to change our budgeting process, improve our capability and capacity within the organisation, and we're really seeing fruits of that labour. Our spend per visit is $4.75, and our physical visitations, we didn't have the Douse figures because we're co-presenting with the Douse obviously while the City Gallery is closed. We didn't have those figures when we put in our quarterly report, but they've ended up meaning that we've exceeded our City Gallery target. 71,000 went to our Douse exhibition. And I might add, 45% of those were from the Wellington region, so Wellingtonians are seeing it. It was quite a small number from Lower Hutt. I know some people have raised that as an issue, but it's for the whole Wellington region. And that was for our Blood is Thicker, include an enormous number of works, and there was a lot of return visitation. So we will easily achieve our year-to-date target of visitation, and obviously next year our expectations are much greater. But if you just think about that number, 71,000 over a few months, it's quite a remarkable achievement. Right, Alicia.